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The Last of Us, Hello Tomorrow!, and Succession countdown

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The Last of Us, Hello Tomorrow!, and Succession countdown

What if the world ended and/or we all got hover cars, plus we're about to go sicko mode on Succession

Jenny G. Zhang
and
Criticism Is Dead
Feb 28
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The Last of Us, Hello Tomorrow!, and Succession countdown

criticismisdead.substack.com

Hello!

On this week’s episode of Criticism Is Dead, we discuss The Last of Us and Hello Tomorrow!, two vastly different visions of the past, present, and future.

Click here to listen to the full episode on the web

Or listen on Apple Podcasts, Spotify, Stitcher, Pocket Casts, Google Podcasts, or other podcast apps.

03:00 The Last of Us, streaming on HBO Max, is faithful yet fresh enough to appeal to both pre-existing fans and new viewers.

Does The Last of Us feel “like a video game”? It depends on what your definition of a video game is. Games can be good, bad, rich in world building and lore, poor in character development and depth, amazingly poignant, devastatingly repetitive. These days, games can be just about anything, which is why the answer to that original question may just be: sure, why not, whatever that means. This series is pretty much a quest/journey story (which many video games, but also movies/television/books, are). But it also feels like a high-budget TV show, which it is. Its actors are talented, its world and story carefully crafted, its zombies stunningly terrifying. It may not be the best HBO post-apocalyptic pandemic series — that would be Station Eleven (previously discussed on CID here) — but it is a worthy Sunday night prime time watch.

27:00 Hello Tomorrow!, streaming on Apple TV+, is a gorgeous but underbaked series about a grifter salesman in a retrofuturistic world.

Hello Tomorrow! is such a visually arresting production, one where mid-century design meets analog-clunky but high-powered tech like robots and hover cars. (Props to production designer Maya Sigel!) It is such a shame, then, that other elements of this show don’t quite hold up, despite its intriguing premise. The tone is inconsistent, the pacing and parceling out of information and screen time is off, and the capable cast aren’t quite given enough to chew on yet. This is early days, admittedly; only four episodes have been released. Maybe there’s still time to fulfill all the promise and potential of an aesthetic stunner like this.

40:58 Plus, culture notes about the upcoming fourth and final season of Succession (and Jeremy Strong being babygirl).

GQ profile of Jeremy Strong.

The New Yorker interview with Jesse Armstrong on the end of Succession.

And that juicy tidbit we mention that may be a bit of a SPOILER, please feel free to skip if you don’t want to see:

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Twitter avatar for @michaelluo
Michael Luo @michaelluo
My “Succession” Season 4 intel: I walked by filming on UES at St. Ignatius Loyola and there were pallbearers practicing going up and down the steps, miming holding onto a coffin.
newyorker.comThe End of “Succession” Is NearThe show’s creator, Jesse Armstrong, explains why he has chosen to conclude the drama of the Roy family in its fourth season.
4:27 AM ∙ Feb 24, 2023
15Likes1Retweet

Bonus etc.

Fun mall story!

The new Black film canon.

lol:

Twitter avatar for @keatonkildebell
keaton bell @keatonkildebell
riley keough was so real for this
Image
Image
Image
2:37 PM ∙ Feb 22, 2023
17,528Likes710Retweets

That’s it for now. Thank you and see you next week!

— Jenny

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Inquiries, complaints, and recs for what to watch can go to criticismisdead@gmail.com.

Some credits:

  • Music: REEKAH

  • Artwork and design: Sara Macias and Andrew Liu

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The Last of Us, Hello Tomorrow!, and Succession countdown

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